Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 29
Stran 149
... effect - I am speaking of myself - but not of an exalting kind.12 Pozdnyshev is not exactly Tolstoy's alter ego ... effects ? The answer is also the same : that which cultivated society calls music is a false and dangerous thing ...
... effect - I am speaking of myself - but not of an exalting kind.12 Pozdnyshev is not exactly Tolstoy's alter ego ... effects ? The answer is also the same : that which cultivated society calls music is a false and dangerous thing ...
Stran 203
... effect that the various radical breaks in Tolstoy's views on life and art were more like stages in a steady development . Rainov notes the first stage in Tolstoy's 1860 letter to Fet , stating that there is a need in the soul to speak ...
... effect that the various radical breaks in Tolstoy's views on life and art were more like stages in a steady development . Rainov notes the first stage in Tolstoy's 1860 letter to Fet , stating that there is a need in the soul to speak ...
Stran 237
... effect that Tolstoy , the great artist , is no longer himself in the treatise he must have deterio- rated , lost his touch : - - If the ideas expressed in his book [ What Is Art ? R.Š. ] were those of the great novelist , author of Anna ...
... effect that Tolstoy , the great artist , is no longer himself in the treatise he must have deterio- rated , lost his touch : - - If the ideas expressed in his book [ What Is Art ? R.Š. ] were those of the great novelist , author of Anna ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote