Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 78
Stran 11
Rimvydas Šilbajoris. erary essays of the time , such as his introduction to a Russian trans- lation of Guy de Maupassant , clearly reflect the last stages of Tol- stoy's thoughts on art before the writing of the essay in question . The ...
Rimvydas Šilbajoris. erary essays of the time , such as his introduction to a Russian trans- lation of Guy de Maupassant , clearly reflect the last stages of Tol- stoy's thoughts on art before the writing of the essay in question . The ...
Stran 71
... essay with the same heavy - handed irony . We also meet them in the pages of Anna Karenina and see them gyrat- ing stupidly , half naked , on the opera stage in War and Peace ; the essay on art begins with a rehearsal of just such an ...
... essay with the same heavy - handed irony . We also meet them in the pages of Anna Karenina and see them gyrat- ing stupidly , half naked , on the opera stage in War and Peace ; the essay on art begins with a rehearsal of just such an ...
Stran 223
... essay itself . Here the reader is again treated to the conventional Soviet listing of Tolstoy's " strong and weak ... essay on art , such as Tolstoy's article on Maupassant , to the essay on art itself , and final- ly to Tolstoy's late ...
... essay itself . Here the reader is again treated to the conventional Soviet listing of Tolstoy's " strong and weak ... essay on art , such as Tolstoy's article on Maupassant , to the essay on art itself , and final- ly to Tolstoy's late ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote