Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 49
Stran
... experience. This was not ours alone to ponder; many of our colleagues who teach practicum and internship classes and students who take field experience courses shared our concern. The question, while targeting the need for a text ...
... experience. This was not ours alone to ponder; many of our colleagues who teach practicum and internship classes and students who take field experience courses shared our concern. The question, while targeting the need for a text ...
Stran 220
... experience is an irreducible phenomenon, a basic, ultimate fact, which can no more be reduced to something else than can be sensory data, such as colours, sounds etc. The purpose of her study, then, is to examine these basic phenomena ...
... experience is an irreducible phenomenon, a basic, ultimate fact, which can no more be reduced to something else than can be sensory data, such as colours, sounds etc. The purpose of her study, then, is to examine these basic phenomena ...
Stran 312
... experience design and economy approach architecture for design innovation entrepreneurship potential (devised by the authors based on the literature). 4.2 At present, as the economy grows, there is a boom in experience economy and ...
... experience design and economy approach architecture for design innovation entrepreneurship potential (devised by the authors based on the literature). 4.2 At present, as the economy grows, there is a boom in experience economy and ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote