Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 40
Stran 18
... expression , but upon communication ; art is not something that is but something that happens between the art- ist and his audience.3 For this , it is necessary to achieve a blending of fact and feeling so that , somehow , fact would ...
... expression , but upon communication ; art is not something that is but something that happens between the art- ist and his audience.3 For this , it is necessary to achieve a blending of fact and feeling so that , somehow , fact would ...
Stran 146
... expression of some emotion seemed perpetually on the point of begin- ning , when it suddenly broke into fragments of the expression of other emotions or even into unrelated sounds which , elaborate though they were , were only connected ...
... expression of some emotion seemed perpetually on the point of begin- ning , when it suddenly broke into fragments of the expression of other emotions or even into unrelated sounds which , elaborate though they were , were only connected ...
Stran 159
... expression of hers , " thought Vronsky , though he himself had only learnt to know that " sweetest spiritual expression " through the portrait . But the expression was so true that it seemed both to him and to others that hey had al ...
... expression of hers , " thought Vronsky , though he himself had only learnt to know that " sweetest spiritual expression " through the portrait . But the expression was so true that it seemed both to him and to others that hey had al ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote