Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 80
Stran 76
... feeling " that is transmitted in art , whether it is just an ordinary feeling , or an aesthetic feeling of some sort , or again a feeling that resembles thought , or something like a combined thought and feeling . The other question ...
... feeling " that is transmitted in art , whether it is just an ordinary feeling , or an aesthetic feeling of some sort , or again a feeling that resembles thought , or something like a combined thought and feeling . The other question ...
Stran 180
... feeling as a decisive concept in the defini- tion of art . Many critics were anxious to establish a distinction be- tween feelings as they are ordinarily understood in life and the special aesthetic experience that can be called feeling ...
... feeling as a decisive concept in the defini- tion of art . Many critics were anxious to establish a distinction be- tween feelings as they are ordinarily understood in life and the special aesthetic experience that can be called feeling ...
Stran 289
... feelings the feeling of pride , the feeling of sexual desire , and the feeling of weariness of life . " Yet , in Anna Karenina , these very same feelings , infinitely varied and tragic in their intensity and profundity , constitute the ...
... feelings the feeling of pride , the feeling of sexual desire , and the feeling of weariness of life . " Yet , in Anna Karenina , these very same feelings , infinitely varied and tragic in their intensity and profundity , constitute the ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote