Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 44
Stran 44
... felt the immeasurable void of death just because , and in the same degree , as he felt the equally immeasurable fullness and intensity of life . The consciousness of life , and the consciousness of death may have been for him but two ...
... felt the immeasurable void of death just because , and in the same degree , as he felt the equally immeasurable fullness and intensity of life . The consciousness of life , and the consciousness of death may have been for him but two ...
Stran 55
... felt ashamed , and , to soothe my literary ambition , I began to tell them the plan of what was to follow . In the proportion as I advanced in my story , I became enthusiastic , cor- rected myself , and they kept helping me out ...
... felt ashamed , and , to soothe my literary ambition , I began to tell them the plan of what was to follow . In the proportion as I advanced in my story , I became enthusiastic , cor- rected myself , and they kept helping me out ...
Stran 56
Rimvydas Šilbajoris. - I felt joy , because suddenly and quite unexpectedly there was revealed to me that stone of the ... felt that Tolstoy may well have learned as much from the children as he taught them : It seemed to many that the ...
Rimvydas Šilbajoris. - I felt joy , because suddenly and quite unexpectedly there was revealed to me that stone of the ... felt that Tolstoy may well have learned as much from the children as he taught them : It seemed to many that the ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote