Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 48
Stran 9
... fiction from this perspective , not as a de- tached body but as an integral function of his total personality , we can see how over the course of time Tolstoy's fictional characters generally express views on art , or have experiences ...
... fiction from this perspective , not as a de- tached body but as an integral function of his total personality , we can see how over the course of time Tolstoy's fictional characters generally express views on art , or have experiences ...
Stran 161
... fiction . The essay , of course , makes numerous particular references to music , painting and literature , especially to the French Symbolist and Decadent poetry . If we now shift our perspective and try to look at Tolstoy's own fiction ...
... fiction . The essay , of course , makes numerous particular references to music , painting and literature , especially to the French Symbolist and Decadent poetry . If we now shift our perspective and try to look at Tolstoy's own fiction ...
Stran 203
... fiction revisions not in the margins of his manu- scripts , but in his own mind , about the very basic approaches to his art . In support of this notion , Rainov develops a consistent argu- ment to the effect that the various radical ...
... fiction revisions not in the margins of his manu- scripts , but in his own mind , about the very basic approaches to his art . In support of this notion , Rainov develops a consistent argu- ment to the effect that the various radical ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote