Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 52
Stran 29
... hand , young Irtenyev , being the child of Tolstoy's imagination , was inevitably also a true artist who could indeed de- scribe his love for mother to make it seem unique . Here is Irte- nyev's description of his mother from the ...
... hand , young Irtenyev , being the child of Tolstoy's imagination , was inevitably also a true artist who could indeed de- scribe his love for mother to make it seem unique . Here is Irte- nyev's description of his mother from the ...
Stran 89
... hand , E. Nuralov in his 1979 study quotes N. Afanasyeva to the effect that the Maupassant piece is much more than mere supplement , that it “ it gives immeasurably more valu- able and reliable material for the understanding of the ...
... hand , E. Nuralov in his 1979 study quotes N. Afanasyeva to the effect that the Maupassant piece is much more than mere supplement , that it “ it gives immeasurably more valu- able and reliable material for the understanding of the ...
Stran 223
... hand , Ishchuk does not draw a line backwards in time to earlier works and thoughts of Tolstoy where the same basic issues were already germinating and developing in the writer's mind . Ishchuk becomes a little disappointing when he ...
... hand , Ishchuk does not draw a line backwards in time to earlier works and thoughts of Tolstoy where the same basic issues were already germinating and developing in the writer's mind . Ishchuk becomes a little disappointing when he ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
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according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote