Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 78
Stran 51
... human race [ i.e. , the Bible R.Š ] always will be the best book of the childhood of every single human being " ( PSS , 8 , 86 ) . If we add to this Tolstoy's thought in the essay that the cor- rupted members of the upper classes might ...
... human race [ i.e. , the Bible R.Š ] always will be the best book of the childhood of every single human being " ( PSS , 8 , 86 ) . If we add to this Tolstoy's thought in the essay that the cor- rupted members of the upper classes might ...
Stran 128
... human skulls of the Stone Age , and similar trifles " ( Maude , 280 ; PSS , 30 , 188-9 ) , or as decidedly harmful , since they draw our attention away from the important task of studying how we should live . What we are expected to do ...
... human skulls of the Stone Age , and similar trifles " ( Maude , 280 ; PSS , 30 , 188-9 ) , or as decidedly harmful , since they draw our attention away from the important task of studying how we should live . What we are expected to do ...
Stran 209
... human being is the human being , the human life . If we then look at what is called " beautiful " and " beauty " in a human being , we shall find that we find that beautiful in a human being in which a joyful , full and prosperous life ...
... human being is the human being , the human life . If we then look at what is called " beautiful " and " beauty " in a human being , we shall find that we find that beautiful in a human being in which a joyful , full and prosperous life ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote