Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 80
Stran 38
... ideas and sensations , impossible without a high degree of educated sophistication , to make nature , and life in nature , inter- esting . What Tolstoy really demands from the spiritual aristocrats of his early years as well as from the ...
... ideas and sensations , impossible without a high degree of educated sophistication , to make nature , and life in nature , inter- esting . What Tolstoy really demands from the spiritual aristocrats of his early years as well as from the ...
Stran 134
... ideas , partly by the ideas of others . The extent to which they do the one or the other is one of the chief things that differentiate men . Some people only play at thinking : their minds are like a driving wheel without a load ; their ...
... ideas , partly by the ideas of others . The extent to which they do the one or the other is one of the chief things that differentiate men . Some people only play at thinking : their minds are like a driving wheel without a load ; their ...
Stran 219
... ideas of a true artist are such that they cannot be formulated and in the process of their formulation expressed in any other way except the language of art , the language of artis- tic images . And for this reason , the creative work ...
... ideas of a true artist are such that they cannot be formulated and in the process of their formulation expressed in any other way except the language of art , the language of artis- tic images . And for this reason , the creative work ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote