Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 53
Stran 99
... important , it also had to be emotionally compelling its reasons were supposed to be found in the wisdom of the heart . The issue , as Tolstoy states it is this : - It is necessary for a society in which works of art arise and are ...
... important , it also had to be emotionally compelling its reasons were supposed to be found in the wisdom of the heart . The issue , as Tolstoy states it is this : - It is necessary for a society in which works of art arise and are ...
Stran 127
... important to us than others , we cannot judge the importance of some particular knowledge until we have acquired it . In essence , science is the search for truth , not the propagation of it , and it is not possible to decide a priori ...
... important to us than others , we cannot judge the importance of some particular knowledge until we have acquired it . In essence , science is the search for truth , not the propagation of it , and it is not possible to decide a priori ...
Stran 128
... important task of studying how we should live . What we are expected to do , then , is to substitute an attitude , a stance , for understanding . For Tolstoy , science must not investigate what is , but what is felt to be important ...
... important task of studying how we should live . What we are expected to do , then , is to substitute an attitude , a stance , for understanding . For Tolstoy , science must not investigate what is , but what is felt to be important ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote