Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 29
Stran 15
... language is a set of devices evolved in literary craftsmanship to which the imagination must address itself . The inevitable next question , however , is : what , then , does constitute artistic language ? Can it dispense with ...
... language is a set of devices evolved in literary craftsmanship to which the imagination must address itself . The inevitable next question , however , is : what , then , does constitute artistic language ? Can it dispense with ...
Stran 162
... language , Tolstoy did understand that the process by which experience and language become literary convention also describes the birth of metaphor . Then the search for some way to develop a literary lan- guage not based on the history ...
... language , Tolstoy did understand that the process by which experience and language become literary convention also describes the birth of metaphor . Then the search for some way to develop a literary lan- guage not based on the history ...
Stran 219
... language of art , the language of artis- tic images . And for this reason , the creative work of an artist depends on his world - view to the extent that the latter possesses a specific aesthetic quality . It is another matter that ...
... language of art , the language of artis- tic images . And for this reason , the creative work of an artist depends on his world - view to the extent that the latter possesses a specific aesthetic quality . It is another matter that ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote