Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 74
Stran 14
... nature , miroir , que nous portons en nous et dans lequel elle se peint . La plus belle imagination est le miroir le ... nature itself in its entirety and capable of retrac- ing them most clearly and truthfully . There is , consequently ...
... nature , miroir , que nous portons en nous et dans lequel elle se peint . La plus belle imagination est le miroir le ... nature itself in its entirety and capable of retrac- ing them most clearly and truthfully . There is , consequently ...
Stran 15
... nature reminiscent of this or that picture , " - - " it was a group - " it reminded one of a scene from a ballet or opera . ' They even try to convey feelings by an image . A beautiful face , nature , an actual group of people , are ...
... nature reminiscent of this or that picture , " - - " it was a group - " it reminded one of a scene from a ballet or opera . ' They even try to convey feelings by an image . A beautiful face , nature , an actual group of people , are ...
Stran 32
... nature and the natural order of things in conjunction with the life of plain working people have many an- swering echoes in all of Tolstoy's creative work . In one respect , however , the story The Cossacks ( 1852-1863 ) is particularly ...
... nature and the natural order of things in conjunction with the life of plain working people have many an- swering echoes in all of Tolstoy's creative work . In one respect , however , the story The Cossacks ( 1852-1863 ) is particularly ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote