Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
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Stran 83
... notion that sincerity gives an artist the power to know what is true . - The fragment " On Art ” ( 1889 ) also contains the notion of sin- cerity perceived as a particular relationship between feeling and form , namely , the ...
... notion that sincerity gives an artist the power to know what is true . - The fragment " On Art ” ( 1889 ) also contains the notion of sin- cerity perceived as a particular relationship between feeling and form , namely , the ...
Stran 84
... notion of what is even objectively , not just personal- ly , true and the notion of what is sincere were coalescing in Tol- stoy's mind . Actually , the key statement was made much earlier , in 1862 , still during the Yasnaya Polyana ...
... notion of what is even objectively , not just personal- ly , true and the notion of what is sincere were coalescing in Tol- stoy's mind . Actually , the key statement was made much earlier , in 1862 , still during the Yasnaya Polyana ...
Stran 264
... notion of outstand- ing individual talent , for what indeed is talent against the spark of divinity that resides in us all ? We may note here that a certain hidden hostility to the idea of any special individual talent is al- ready ...
... notion of outstand- ing individual talent , for what indeed is talent against the spark of divinity that resides in us all ? We may note here that a certain hidden hostility to the idea of any special individual talent is al- ready ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
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according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote