Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 16
Stran 99
... object pro- duced , or perceived , by society , according to the degree to which the function of beauty ( i.e. , of aesthetics ) is thought to be subordi- nate or dominant . Obviously , then , one must first of all find the proper ...
... object pro- duced , or perceived , by society , according to the degree to which the function of beauty ( i.e. , of aesthetics ) is thought to be subordi- nate or dominant . Obviously , then , one must first of all find the proper ...
Stran 164
... object of perception , but to its sub- ject , loses its figurative character , expressing directly and accurately the logic inherent in language itself , of direct perception and associative thought ( Ku- preyanova , p . 152 ) . - It ...
... object of perception , but to its sub- ject , loses its figurative character , expressing directly and accurately the logic inherent in language itself , of direct perception and associative thought ( Ku- preyanova , p . 152 ) . - It ...
Stran 218
... object or a phenomenon as it depicts them by means of the transmission of feeling which that object has evoked in the author ( " Miro- vozzrenie Tolstogo , " p . 93 ) . Nevertheless , Asmus has objections to Tolstoy's definition of art ...
... object or a phenomenon as it depicts them by means of the transmission of feeling which that object has evoked in the author ( " Miro- vozzrenie Tolstogo , " p . 93 ) . Nevertheless , Asmus has objections to Tolstoy's definition of art ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote