Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 49
Stran 31
... peasant calmly faces up to the fact that his end has come and re- cedes into the soil from whence he came with quiet ... peasant and the tree . The lady is pitiful and repul- sive because she lied all her life and is lying in the face of ...
... peasant calmly faces up to the fact that his end has come and re- cedes into the soil from whence he came with quiet ... peasant and the tree . The lady is pitiful and repul- sive because she lied all her life and is lying in the face of ...
Stran 36
... peasants who can die as the peasant did in " Three Deaths , " or like the people who stood and died at Borodino with the complex but in essence morally worthless experiences of the officer class as a whole . Ac- cording to B. Bursov ...
... peasants who can die as the peasant did in " Three Deaths , " or like the people who stood and died at Borodino with the complex but in essence morally worthless experiences of the officer class as a whole . Ac- cording to B. Bursov ...
Stran 58
... peasant who , while he feeds a poor beggar , also wants to make him feel guilty of being such a sponger . One of the ... peasant , just such as he apparently ought to be . The woman's fur coat , carelessly thrown on the bench and the ...
... peasant who , while he feeds a poor beggar , also wants to make him feel guilty of being such a sponger . One of the ... peasant , just such as he apparently ought to be . The woman's fur coat , carelessly thrown on the bench and the ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote