Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 23
Stran 85
... perceive both things as one and admit- ted that all his criteria can actually be reduced to just one - that of sincerity . Beyond the issue of art criteria as such , Tolstoy also laid out a preliminary approach toward the discussion of ...
... perceive both things as one and admit- ted that all his criteria can actually be reduced to just one - that of sincerity . Beyond the issue of art criteria as such , Tolstoy also laid out a preliminary approach toward the discussion of ...
Stran 133
... perceives as the most ancient and timeless moral foundations of human existence against the hollow specter of a modern ... perceive it at first as Tolstoy's sense of astonishment at the deca- dence of contemporary art , at the ...
... perceives as the most ancient and timeless moral foundations of human existence against the hollow specter of a modern ... perceive it at first as Tolstoy's sense of astonishment at the deca- dence of contemporary art , at the ...
Stran 190
... perceive that for Tolstoy religious consciousness is something outside such systems , Borisov reproached Tolstoy for not understanding that re- ligious consciousness is not a matter of any set of religious beliefs : Count Tolstoy ...
... perceive that for Tolstoy religious consciousness is something outside such systems , Borisov reproached Tolstoy for not understanding that re- ligious consciousness is not a matter of any set of religious beliefs : Count Tolstoy ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote