Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 31
Stran 8
... reader , for his part , did not know what to make of Tolstoy's judgments that dismissed out of hand all the : " rude ... readers thought they began to under- stand : Tolstoy was not really speaking about art , or critics , or world ...
... reader , for his part , did not know what to make of Tolstoy's judgments that dismissed out of hand all the : " rude ... readers thought they began to under- stand : Tolstoy was not really speaking about art , or critics , or world ...
Stran 38
... readers , or to put it differently , to the to- tal conquest of the reader by the artist . Art therefore is not a con ... reader's mind and his emotions to the outlines of the artist's own personality . That per- sonality itself does not ...
... readers , or to put it differently , to the to- tal conquest of the reader by the artist . Art therefore is not a con ... reader's mind and his emotions to the outlines of the artist's own personality . That per- sonality itself does not ...
Stran 169
... reader comes , first , from the astonished recognition of how sensitive is Tolstoy's perception , and second , from the reader's knowledge that , at this point in the novel , Levin is painfully trying to teach himself solitude while ...
... reader comes , first , from the astonished recognition of how sensitive is Tolstoy's perception , and second , from the reader's knowledge that , at this point in the novel , Levin is painfully trying to teach himself solitude while ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote