Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 54
Stran 14
... reality outside of language , so that this reality could enter and give meaning and purpose to the artistic text . Thus , in the relationship between imagination and reality , imagination was to be not an inventive but an imitative fac ...
... reality outside of language , so that this reality could enter and give meaning and purpose to the artistic text . Thus , in the relationship between imagination and reality , imagination was to be not an inventive but an imitative fac ...
Stran 170
... reality , but reality which comprehends the po- tentiality of metaphorical meaning that may be realized as a struc- tural function of given context . Pierre's dream is rather different in that the explained meaning of the watery globe ...
... reality , but reality which comprehends the po- tentiality of metaphorical meaning that may be realized as a struc- tural function of given context . Pierre's dream is rather different in that the explained meaning of the watery globe ...
Stran 261
... reality resides for Tolstoy not in action , but in perception . The quest for it consists of pro- gressive withdrawals from conventional constructs pretending to purpose , meaning and reality . The same principle applies , for Tolstoy ...
... reality resides for Tolstoy not in action , but in perception . The quest for it consists of pro- gressive withdrawals from conventional constructs pretending to purpose , meaning and reality . The same principle applies , for Tolstoy ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote