Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 16
Stran 124
... references to mu- sic . The first is to the rehearsal of an unnamed opera it serves as a rhetorical device at the ... reference is to Beethoven's music of the later pe- riod which , Tolstoy notes , has an " obscure , almost unhealthy ex ...
... references to mu- sic . The first is to the rehearsal of an unnamed opera it serves as a rhetorical device at the ... reference is to Beethoven's music of the later pe- riod which , Tolstoy notes , has an " obscure , almost unhealthy ex ...
Stran 136
... references are struc- tured to reflect an emotional response , or lack of it , vis a vis a par- ticular work of art ... reference point for describing a cheap imitation of feeling as Olenin fails upon first encounter to perceive the ...
... references are struc- tured to reflect an emotional response , or lack of it , vis a vis a par- ticular work of art ... reference point for describing a cheap imitation of feeling as Olenin fails upon first encounter to perceive the ...
Stran 161
... references to literature , painting or music in Tolstoy's fiction . The essay , of course , makes numerous particular references to music , painting and literature , especially to the French Symbolist and Decadent poetry . If we now ...
... references to literature , painting or music in Tolstoy's fiction . The essay , of course , makes numerous particular references to music , painting and literature , especially to the French Symbolist and Decadent poetry . If we now ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote