Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 40
Stran 13
... relationship between change and permanence in Tolstoy's thought . Indeed , one might say that this relationship it- self , more than any particular formulations adhered to or aban- doned at various times , reveals the flexible but ...
... relationship between change and permanence in Tolstoy's thought . Indeed , one might say that this relationship it- self , more than any particular formulations adhered to or aban- doned at various times , reveals the flexible but ...
Stran 39
... relationship between reali- ty and imagination - precisely the issue that is at the root of all concern with art . Already at this early stage Tolstoy took a turn in the direction of rejecting any traditional and conventionalized ba ...
... relationship between reali- ty and imagination - precisely the issue that is at the root of all concern with art . Already at this early stage Tolstoy took a turn in the direction of rejecting any traditional and conventionalized ba ...
Stran 143
... relationship between reality and language . What in Tolstoy's view matters for Shakespeare is not what a person suffers , believes , or whom he loves , but how well one can speak of such things - how clever , grandiloquent , playful ...
... relationship between reality and language . What in Tolstoy's view matters for Shakespeare is not what a person suffers , believes , or whom he loves , but how well one can speak of such things - how clever , grandiloquent , playful ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote