Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 67
Stran 78
... sense of unity , as art and religion would , rather than a sense of distinction , as befits a scientific discipline . What is " science , " as Tolstoy understands it , in the teachings of Confucius , Moses , and Christ is their ...
... sense of unity , as art and religion would , rather than a sense of distinction , as befits a scientific discipline . What is " science , " as Tolstoy understands it , in the teachings of Confucius , Moses , and Christ is their ...
Stran 133
... sense of astonishment at the deca- dence of contemporary art , at the worthlessness of most of the conventional ideas in aesthetics , and as a sense of astonished un- derstanding how really simple everything is when seen from the ...
... sense of astonishment at the deca- dence of contemporary art , at the worthlessness of most of the conventional ideas in aesthetics , and as a sense of astonished un- derstanding how really simple everything is when seen from the ...
Stran 251
... sense , the Soviet critic E. Kupreyanova is right when she says that in Tolstoy's landscapes a barrier is removed between the depiction of the outer world and the expression of the inner one . So in The Cossacks , the breathtaking ...
... sense , the Soviet critic E. Kupreyanova is right when she says that in Tolstoy's landscapes a barrier is removed between the depiction of the outer world and the expression of the inner one . So in The Cossacks , the breathtaking ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote