Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 57
Stran 47
... society maintain themselves in their position . On this basis , just as he said in his essay on art that there is not , nor can there be , such a science as aesthetics , Tolstoy affirms in his article that there is no science of ...
... society maintain themselves in their position . On this basis , just as he said in his essay on art that there is not , nor can there be , such a science as aesthetics , Tolstoy affirms in his article that there is no science of ...
Stran 99
... society in which works of art arise and are supported , to find out whether all that professes to be art is really art ; whether ( as is pre- supposed in our society ) all that is art is good , and whether it is important and worth the ...
... society in which works of art arise and are supported , to find out whether all that professes to be art is really art ; whether ( as is pre- supposed in our society ) all that is art is good , and whether it is important and worth the ...
Stran 118
... society have attained - an understanding indi- cating the highest good at which that society aims . This understanding is the religious perception of the given time and society ( Maude , 232 ; PSS , 30 , 153 ) . In his essay , Tolstoy ...
... society have attained - an understanding indi- cating the highest good at which that society aims . This understanding is the religious perception of the given time and society ( Maude , 232 ; PSS , 30 , 153 ) . In his essay , Tolstoy ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote