Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 58
Stran 68
... theory of art . - The relationship between Tolstoy's theory and practice as an artist is one of the main issues in the present study , but for now we shall sidestep it to discuss the third major turning point in the de- velopment of his ...
... theory of art . - The relationship between Tolstoy's theory and practice as an artist is one of the main issues in the present study , but for now we shall sidestep it to discuss the third major turning point in the de- velopment of his ...
Stran 85
... theory of aesthetics . The three aspects of art , as de- fined by the appropriate criteria , must all be present in ... theory holds that the worth of a work of art de- pends most of all upon the content , even if the work were not to ...
... theory of aesthetics . The three aspects of art , as de- fined by the appropriate criteria , must all be present in ... theory holds that the worth of a work of art de- pends most of all upon the content , even if the work were not to ...
Stran 86
... theory is called the theory of realism ( ibid . , " Ob iskusstve , " PSS , 30 , 214 ) . Having described his three wrong theories , Tolstoy then de- veloped a link between them and what he called " counterfeit art " : The most important ...
... theory is called the theory of realism ( ibid . , " Ob iskusstve , " PSS , 30 , 214 ) . Having described his three wrong theories , Tolstoy then de- veloped a link between them and what he called " counterfeit art " : The most important ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote