Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 63
Stran 22
... tion between them that both express Tolstoy's striving for some- thing of value , something radically different from what he per- ceived to be the prevailing corruption of society . One could see these youthful projects as preliminary ...
... tion between them that both express Tolstoy's striving for some- thing of value , something radically different from what he per- ceived to be the prevailing corruption of society . One could see these youthful projects as preliminary ...
Stran 198
... tion of a specific proletarian culture , stemming from and intended for the working class , which would renounce all the past artistic achievements of " bourgeois " and " feudal " societies as meaningless to them , and therefore also ...
... tion of a specific proletarian culture , stemming from and intended for the working class , which would renounce all the past artistic achievements of " bourgeois " and " feudal " societies as meaningless to them , and therefore also ...
Stran 257
... tion to some or all of the others as often as it is in agreement with them . We are led to perceive that this unyielding monolith is not actually a structure shaped according to some ultimately harmoni- ous system of laws . It is rather ...
... tion to some or all of the others as often as it is in agreement with them . We are led to perceive that this unyielding monolith is not actually a structure shaped according to some ultimately harmoni- ous system of laws . It is rather ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote