Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 76
Stran 23
... understand him , even if such were very few , finding justification for this in an earlier , Sentimentalist tradi ... understanding person , one of those people with whom , upon first acquaintance , you see no need to explain your own ...
... understand him , even if such were very few , finding justification for this in an earlier , Sentimentalist tradi ... understanding person , one of those people with whom , upon first acquaintance , you see no need to explain your own ...
Stran 54
... understanding this , but never- theless in full control , just created the impression of unpredictable spontaneity that nevertheless is placed with extreme precision in the overall structure of the ... understand true art and 54 Chapter Two.
... understanding this , but never- theless in full control , just created the impression of unpredictable spontaneity that nevertheless is placed with extreme precision in the overall structure of the ... understand true art and 54 Chapter Two.
Stran 191
... understand that Tolstoy was only trying to explain clearly what he saw as truth , his readers decided that he was himself usurping that throne of authority from which he had removed the image of God and the wisdom of men . To ...
... understand that Tolstoy was only trying to explain clearly what he saw as truth , his readers decided that he was himself usurping that throne of authority from which he had removed the image of God and the wisdom of men . To ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote