Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 45
Stran 36
... Consider the presence of four chil- dren's playing blocks , called A , B , C , and D. These blocks may be arranged in many different ways , as BACD or ACDB , and so on . In this situation , we could say that the blocks , the " what " of ...
... Consider the presence of four chil- dren's playing blocks , called A , B , C , and D. These blocks may be arranged in many different ways , as BACD or ACDB , and so on . In this situation , we could say that the blocks , the " what " of ...
Stran 45
... Consider , to begin with , Cézanne's " Mont Sainte - Victoire . " The subject is the lines and colors that constitute certain volumes within the art object which stand for , denote , represent , mean , the actual mountain . Semantically ...
... Consider , to begin with , Cézanne's " Mont Sainte - Victoire . " The subject is the lines and colors that constitute certain volumes within the art object which stand for , denote , represent , mean , the actual mountain . Semantically ...
Stran 104
... Consider the expressive quality of Eliot's language in " Prufrock . ” “ Deserted streets , " " etherised patient , " " muttering retreats , " " cheap hotels , ” “ sawdust restaurants , " " yellow fog , " " pools , " " drains , " " soot ...
... Consider the expressive quality of Eliot's language in " Prufrock . ” “ Deserted streets , " " etherised patient , " " muttering retreats , " " cheap hotels , ” “ sawdust restaurants , " " yellow fog , " " pools , " " drains , " " soot ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole