Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 23
Stran 95
... Prufrock is speaking to us . We are the " you . " This raises immediately the questions , why go with him , and where ? Already we are tied to Prufrock . The next few lines , but especially the simile of the second and third lines ...
... Prufrock is speaking to us . We are the " you . " This raises immediately the questions , why go with him , and where ? Already we are tied to Prufrock . The next few lines , but especially the simile of the second and third lines ...
Stran 99
... Prufrock retreats quickly and returns to the soirée - where everything is peaceful . Or is it ? " It malingers . " It is a false peace , pregnant with turbulence ( and the overwhelming question ) . Shall Prufrock try again , " to force ...
... Prufrock retreats quickly and returns to the soirée - where everything is peaceful . Or is it ? " It malingers . " It is a false peace , pregnant with turbulence ( and the overwhelming question ) . Shall Prufrock try again , " to force ...
Stran 155
... Prufrock . " Now , our normal attitude , that is , our usual cognitive response to " Prufrock , " I suppose , is something like this . We distinguish between the characters , events , and themes . We do not believe that the character ...
... Prufrock . " Now , our normal attitude , that is , our usual cognitive response to " Prufrock , " I suppose , is something like this . We distinguish between the characters , events , and themes . We do not believe that the character ...
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Pogosti izrazi in povedi
A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole