Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 21
Stran 135
... Richards who has offered the details of the emotive theory . According to him ( and C. K. Ogden ) , at least in The Meaning of Meaning , which constitutes the prolegomenon to Richards ' later work , language has many functions . It ...
... Richards who has offered the details of the emotive theory . According to him ( and C. K. Ogden ) , at least in The Meaning of Meaning , which constitutes the prolegomenon to Richards ' later work , language has many functions . It ...
Stran 156
... Richards holds , contains the articulation of emotional attitudes . This is its great contribution . In all of his later writings Richards argues that poetry functions to organize our attitudes and value judgments , and that this ...
... Richards holds , contains the articulation of emotional attitudes . This is its great contribution . In all of his later writings Richards argues that poetry functions to organize our attitudes and value judgments , and that this ...
Stran 159
... Richards , too . It is not what a poem says but what it is that matters , Richards states . But this assumes that what a poem is is completely unrelated to what it says , and this is an unwarranted assumption since , to repeat , part of ...
... Richards , too . It is not what a poem says but what it is that matters , Richards states . But this assumes that what a poem is is completely unrelated to what it says , and this is an unwarranted assumption since , to repeat , part of ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole