Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 25
Stran 12
... activity to be as much detached from the instinctive life as any human activity that we know ; to be in that respect on a par with science . I consider this latter the distinc- tive esthetic activity.27 Fry's views on the nature of pure ...
... activity to be as much detached from the instinctive life as any human activity that we know ; to be in that respect on a par with science . I consider this latter the distinc- tive esthetic activity.27 Fry's views on the nature of pure ...
Stran 154
... activity is a species of the genus illusion games or play . Two sorts of games or play are recognized , illusion and nonillusion . Artistic activity is akin to illusion play ; it is “ an en- hanced and refined illusion play adapted to ...
... activity is a species of the genus illusion games or play . Two sorts of games or play are recognized , illusion and nonillusion . Artistic activity is akin to illusion play ; it is “ an en- hanced and refined illusion play adapted to ...
Stran 172
... activity , including appreciation , is not that in our experience with art we satisfy desires we cannot satisfy in ... activity of art . Art is a human activity consisting in this , that one man con- sciously by means of certain external ...
... activity , including appreciation , is not that in our experience with art we satisfy desires we cannot satisfy in ... activity of art . Art is a human activity consisting in this , that one man con- sciously by means of certain external ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole