Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 89
Stran 2
... aesthetic theory ; we can also recognize that many of the terms that refer to prevalent aesthetic views , like voluntarism , intellectualism , emotionalism , formalism , or hedonism , are treacherous and to be employed with extreme care ...
... aesthetic theory ; we can also recognize that many of the terms that refer to prevalent aesthetic views , like voluntarism , intellectualism , emotionalism , formalism , or hedonism , are treacherous and to be employed with extreme care ...
Stran 10
... aesthetic experience in rela- tion to man's total experiences . The experience of art , because it involves the presence of significant form , gives man the assurance of at least one " absolute good " ; and this is sufficient to make of ...
... aesthetic experience in rela- tion to man's total experiences . The experience of art , because it involves the presence of significant form , gives man the assurance of at least one " absolute good " ; and this is sufficient to make of ...
Stran 227
... Aesthetic contemplation , see Con- templation " Aesthetic emotion " and Bell , 2-7 , 188-189 and Fry , 18-19 , 188-189 Richards on , 19 Aesthetic emotionalism , tionalism Aesthetic experience see Emo- functions of , 9-10 , 202-204 ...
... Aesthetic contemplation , see Con- templation " Aesthetic emotion " and Bell , 2-7 , 188-189 and Fry , 18-19 , 188-189 Richards on , 19 Aesthetic emotionalism , tionalism Aesthetic experience see Emo- functions of , 9-10 , 202-204 ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole