Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 39
Stran 12
... concerned , in his rejection of the Freudian theory of artistic creation : I believe that two distinct aims and activities have got classed together under the word art , and that the word artist is used of two distinct groups of men ...
... concerned , in his rejection of the Freudian theory of artistic creation : I believe that two distinct aims and activities have got classed together under the word art , and that the word artist is used of two distinct groups of men ...
Stran 56
... concerned with placing the picture in its historical period of origin , the painting becomes a mechanical system , in that he isolates certain chemical constituents of the colors on the canvas without any concern for their relations to ...
... concerned with placing the picture in its historical period of origin , the painting becomes a mechanical system , in that he isolates certain chemical constituents of the colors on the canvas without any concern for their relations to ...
Stran 94
... concerned with the poem as a biographical datum relating to the poet's life . The aesthetic analysis will be carried through without any attempt to derive from it any evidence regarding Eliot's attitudes during the period in which he ...
... concerned with the poem as a biographical datum relating to the poet's life . The aesthetic analysis will be carried through without any attempt to derive from it any evidence regarding Eliot's attitudes during the period in which he ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole