Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 31
Stran 120
... writings and reflections of modern artists and critics . It would be difficult to reduce these discussions to any total unanimity but on one point there is THE ARTS: THE MEDIUM The doctrine of the purity of the medium.
... writings and reflections of modern artists and critics . It would be difficult to reduce these discussions to any total unanimity but on one point there is THE ARTS: THE MEDIUM The doctrine of the purity of the medium.
Stran 158
... doctrine . That is to say , his is the view that it ought not to be of any con- cern to the reader what the thematic material of a poem is so long as it is developed in a mature , honest , and true way . This version of the problem has ...
... doctrine . That is to say , his is the view that it ought not to be of any con- cern to the reader what the thematic material of a poem is so long as it is developed in a mature , honest , and true way . This version of the problem has ...
Stran 174
... doctrine is false ; and to see that it is , let us examine first ordinary , nonartistic communication . A speaker is said to com- municate to a listener if the latter understands him , not necessarily if he believes him . Belief is to ...
... doctrine is false ; and to see that it is , let us examine first ordinary , nonartistic communication . A speaker is said to com- municate to a listener if the latter understands him , not necessarily if he believes him . Belief is to ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole