Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 33
Stran 20
... especially as that dispute has been articulated by both parties to it . One of the leading , if not the most vehement , critics of the formalist theory of Bell and Fry is DeWitt Parker . Parker's aesthet- ics is itself one of the more ...
... especially as that dispute has been articulated by both parties to it . One of the leading , if not the most vehement , critics of the formalist theory of Bell and Fry is DeWitt Parker . Parker's aesthet- ics is itself one of the more ...
Stran 82
... especially in their murals , with the best examples of this kind of art . In the whole of this " revolutionary " art , where the subject is the class struggle in its various manifestations and its attendant ex- pressive qualities of ...
... especially in their murals , with the best examples of this kind of art . In the whole of this " revolutionary " art , where the subject is the class struggle in its various manifestations and its attendant ex- pressive qualities of ...
Stran 140
... especially as it is read in its relations to the rest of the novel , contains a depth meaning that is a profound truth claim concerning the present state of man . Through Bigger , and in this speech , especially , Wright is claiming ...
... especially as it is read in its relations to the rest of the novel , contains a depth meaning that is a profound truth claim concerning the present state of man . Through Bigger , and in this speech , especially , Wright is claiming ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole