Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 12
Stran 102
... existence , our etherized state , until the voices of the soirée crowd make us die . On this reading , the poem ends in complete pessimism , and all hope of salvation is dissolved into the waters of death . But such a reading ...
... existence , our etherized state , until the voices of the soirée crowd make us die . On this reading , the poem ends in complete pessimism , and all hope of salvation is dissolved into the waters of death . But such a reading ...
Stran 106
... existence ) which is the first stage of true life or salvation . This brings us to metaphor . No poem illustrates better than this one the modern view , suggested by Cleanth Brooks , that a poem is not a theme embroidered by metaphor ...
... existence ) which is the first stage of true life or salvation . This brings us to metaphor . No poem illustrates better than this one the modern view , suggested by Cleanth Brooks , that a poem is not a theme embroidered by metaphor ...
Stran 148
Morris Weitz. ordinates the existence of individuals to the inexorable laws of cosmic principles , both natural and moral , endowing every stage of this existence , however transitory , with a substantial value of its own.12 ( 2 ) [ In ...
Morris Weitz. ordinates the existence of individuals to the inexorable laws of cosmic principles , both natural and moral , endowing every stage of this existence , however transitory , with a substantial value of its own.12 ( 2 ) [ In ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole