Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 35
Stran 32
Morris Weitz. Summary , and Further Criticisms of Bell and Fry In contemporary aesthetic theory there is much talk about formal- ism , on the one hand , and emotionalism , voluntarism , Marxism , Neo ... further criticisms of Bell and.
Morris Weitz. Summary , and Further Criticisms of Bell and Fry In contemporary aesthetic theory there is much talk about formal- ism , on the one hand , and emotionalism , voluntarism , Marxism , Neo ... further criticisms of Bell and.
Stran 36
... Further , the distinction manifests itself in ordinary speech in the distinction between the “ what ” as against the “ how ” of certain complexes or states of affairs . Consider the presence of four chil- dren's playing blocks , called ...
... Further , the distinction manifests itself in ordinary speech in the distinction between the “ what ” as against the “ how ” of certain complexes or states of affairs . Consider the presence of four chil- dren's playing blocks , called ...
Stran 103
... Further Analysis of the Poem This concludes our detailed reading of the poem . This reading is the sine qua non of an aesthetic analysis . The question now arises , are these extended interpretations part of the poem or a substitute for ...
... Further Analysis of the Poem This concludes our detailed reading of the poem . This reading is the sine qua non of an aesthetic analysis . The question now arises , are these extended interpretations part of the poem or a substitute for ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole