Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 38
Stran 32
... ideas in art . All of these problems and issues converge on the central questions of the nature of art and its capacities as a mode of communication . There are important problems in contemporary aesthetics and most of these are ...
... ideas in art . All of these problems and issues converge on the central questions of the nature of art and its capacities as a mode of communication . There are important problems in contemporary aesthetics and most of these are ...
Stran 83
Morris Weitz. based upon two ideas , one plastic and the other perceptual , al- though the two are finally merged . The plastic idea is that all natural or imaginary objects can be broken up into planes which may then be reorganized into ...
Morris Weitz. based upon two ideas , one plastic and the other perceptual , al- though the two are finally merged . The plastic idea is that all natural or imaginary objects can be broken up into planes which may then be reorganized into ...
Stran 158
... ideas of the poem but to apprehend them . This is what Richards should have meant by reading well , Brooks asserts . In reading well , we ought to ignore our convictions about the world in order to appreciate the unfold- ing in poetic ...
... ideas of the poem but to apprehend them . This is what Richards should have meant by reading well , Brooks asserts . In reading well , we ought to ignore our convictions about the world in order to appreciate the unfold- ing in poetic ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole