Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 53
Stran 29
... importance of " elevated " themes , important subjects , the whole realm of the ideational in art . Formalism necessarily reduces art to sensuous surface and decoration , thereby incapaci- tating itself to explain much that is important ...
... importance of " elevated " themes , important subjects , the whole realm of the ideational in art . Formalism necessarily reduces art to sensuous surface and decoration , thereby incapaci- tating itself to explain much that is important ...
Stran 65
... importance of color in painting was not fully recog- nized in an articulate way until the modern era , in the work of the Impressionists , but especially in Cézanne and the ensuing ... important . Albert Barnes , for THE ARTS : PAINTING 65.
... importance of color in painting was not fully recog- nized in an articulate way until the modern era , in the work of the Impressionists , but especially in Cézanne and the ensuing ... important . Albert Barnes , for THE ARTS : PAINTING 65.
Stran 201
... important as the tender or the tense . ― In my opinion , it is here that we encounter ultimate relativism or subjectivism in evaluative criticism . What makes one theme more profound than another , one character richer than another , or ...
... important as the tender or the tense . ― In my opinion , it is here that we encounter ultimate relativism or subjectivism in evaluative criticism . What makes one theme more profound than another , one character richer than another , or ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole