Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 15
Stran 80
... Integration here lies in the total fusion of the expressive quality of suffering . Compare this with the " Ascension " of Giotto . Here the sub- ject is also Christ , but in His moment of ascension , a Christ of human tenderness and ...
... Integration here lies in the total fusion of the expressive quality of suffering . Compare this with the " Ascension " of Giotto . Here the sub- ject is also Christ , but in His moment of ascension , a Christ of human tenderness and ...
Stran 195
... integration of constituents : for ex- ample , the colors working with the lines ; these working with the space , design and subject ; and the complete work of art function- ing as an expressive whole . The expressive character of any ...
... integration of constituents : for ex- ample , the colors working with the lines ; these working with the space , design and subject ; and the complete work of art function- ing as an expressive whole . The expressive character of any ...
Stran 216
... integration of the text of the mass and the musical materials that Bach used ; see vol . III , bk . vi , chap . ii . CHAPTER 8. ART , LANGUAGE AND TRUTH 1 DeWitt Parker , " Aesthetics , " op . cit . , pp . 42-45- 8 C. J. Ducasse , Art ...
... integration of the text of the mass and the musical materials that Bach used ; see vol . III , bk . vi , chap . ii . CHAPTER 8. ART , LANGUAGE AND TRUTH 1 DeWitt Parker , " Aesthetics , " op . cit . , pp . 42-45- 8 C. J. Ducasse , Art ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole