Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 43
Stran 95
... kind of wooing to salvation . ) The poem begins as a soliloquy or monologue in which Prufrock is meditating upon his experiences . It starts , moreover , in the mid- dle of his soliloquy , abruptly , as the word " then " reveals . The ...
... kind of wooing to salvation . ) The poem begins as a soliloquy or monologue in which Prufrock is meditating upon his experiences . It starts , moreover , in the mid- dle of his soliloquy , abruptly , as the word " then " reveals . The ...
Stran 132
... kind of narration from the narration in a literary work . One cannot say in one medium what can be said better in another . Rather one cannot say it at all in another medium for it becomes quite a new thing . " I should like to offer ...
... kind of narration from the narration in a literary work . One cannot say in one medium what can be said better in another . Rather one cannot say it at all in another medium for it becomes quite a new thing . " I should like to offer ...
Stran 139
... kind of feel what I wanted . It makes me feel I was kind of right . . . " Max opened his mouth to say something and Bigger drowned out his voice . " I ain't trying to forgive nobody and I ain't asking for nobody to forgive me . I ain't ...
... kind of feel what I wanted . It makes me feel I was kind of right . . . " Max opened his mouth to say something and Bigger drowned out his voice . " I ain't trying to forgive nobody and I ain't asking for nobody to forgive me . I ain't ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole