Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Stran 8
... Literature In his various writings , Bell has touched upon some of the arts other than painting , mainly music and literature . His musical aes- thetics parallels his aesthetics of painting . The essence of music is also significant ...
... Literature In his various writings , Bell has touched upon some of the arts other than painting , mainly music and literature . His musical aes- thetics parallels his aesthetics of painting . The essence of music is also significant ...
Stran 9
... literature an immense amount of stuff which is not purely aesthetic , which is cognitive and suggestive , and which an intelligent bourgeois can under- stand as well as anyone else . - Literature , I cannot help thinking , must be ...
... literature an immense amount of stuff which is not purely aesthetic , which is cognitive and suggestive , and which an intelligent bourgeois can under- stand as well as anyone else . - Literature , I cannot help thinking , must be ...
Stran 137
... literature ( with the trivial exception of those statements in it that are about historical figures and places , etc. ) is primarily emotive . Still , it does not follow that none of it is also referential . For if we em- ploy Parker's ...
... literature ( with the trivial exception of those statements in it that are about historical figures and places , etc. ) is primarily emotive . Still , it does not follow that none of it is also referential . For if we em- ploy Parker's ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole