Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Stran 120
Morris Weitz. 7 THE ARTS : THE MEDIUM The Doctrine of the Purity of the Medium The problem of the meaning of music brings us to the whole question of the nature and importance of the medium in art . In music , autonomists and some ...
Morris Weitz. 7 THE ARTS : THE MEDIUM The Doctrine of the Purity of the Medium The problem of the meaning of music brings us to the whole question of the nature and importance of the medium in art . In music , autonomists and some ...
Stran 121
... medium should be made to do what it really cannot do or what others can do better . The medium must be kept pure . In sum : this is a new kind of formalism in aesthetic theory , one which the Germans , with excellence of exactitude ...
... medium should be made to do what it really cannot do or what others can do better . The medium must be kept pure . In sum : this is a new kind of formalism in aesthetic theory , one which the Germans , with excellence of exactitude ...
Stran 127
... medium , its physical , visual mobility , is self - sufficient in that the total art of the motion picture ought to be the realization of this mobility . This thesis may be disputed . In Deren's work , the exploitation of mobility ...
... medium , its physical , visual mobility , is self - sufficient in that the total art of the motion picture ought to be the realization of this mobility . This thesis may be disputed . In Deren's work , the exploitation of mobility ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole