Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 18
Stran 53
... novel . Is the cover of the novel a mechanical or an organic constituent ? What about the quality of the paper ? Both of these , it is obvious , do not make a difference to the novel , i.e. , to its characters , plot , themes , etc ...
... novel . Is the cover of the novel a mechanical or an organic constituent ? What about the quality of the paper ? Both of these , it is obvious , do not make a difference to the novel , i.e. , to its characters , plot , themes , etc ...
Stran 139
... novel will , I believe , reveal an- other depth meaning and truth claim that is far from trivial ; in fact , it is so poignant that it saves the work from being merely another proletarian novel . It is to be found in the final pages of ...
... novel will , I believe , reveal an- other depth meaning and truth claim that is far from trivial ; in fact , it is so poignant that it saves the work from being merely another proletarian novel . It is to be found in the final pages of ...
Stran 140
... novel , contains a depth meaning that is a profound truth claim concerning the present state of man . Through Bigger ... novel takes on its basic significance . Until it becomes clear that Bigger is more than a symbol of exploitation and ...
... novel , contains a depth meaning that is a profound truth claim concerning the present state of man . Through Bigger ... novel takes on its basic significance . Until it becomes clear that Bigger is more than a symbol of exploitation and ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole