Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 53
Stran 28
... offers more than a rendition of significant form constitutes a violation of the medium of the art of painting ... offer cannot be done better- in fact , it cannot be done at all - in literature . Thus if , in their quarrel with ...
... offers more than a rendition of significant form constitutes a violation of the medium of the art of painting ... offer cannot be done better- in fact , it cannot be done at all - in literature . Thus if , in their quarrel with ...
Stran 132
... offer another criticism , which has been implied already in previous chapters , that simply points out that purism is as arbitrary a general aesthetic doctrine as the specific view that painting should exclude subject representation . A ...
... offer another criticism , which has been implied already in previous chapters , that simply points out that purism is as arbitrary a general aesthetic doctrine as the specific view that painting should exclude subject representation . A ...
Stran 165
... offer to us . Voluntarism : Freud's Theory The next theory of art appreciation that we shall examine is voluntarism . The basic thesis of voluntarism , which is a descrip- tive and not a normative one , is that the appreciation of art ...
... offer to us . Voluntarism : Freud's Theory The next theory of art appreciation that we shall examine is voluntarism . The basic thesis of voluntarism , which is a descrip- tive and not a normative one , is that the appreciation of art ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole