Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
Iz vsebine knjige
Zadetki 1–3 od 67
Stran 93
Morris Weitz. 5 THE ARTS : POETRY Introduction Poetry is also an organic complex of expressive elements . These include words , images , allusions , metrics , subjects , metaphors , and themes . In this chapter , rather than discuss ...
Morris Weitz. 5 THE ARTS : POETRY Introduction Poetry is also an organic complex of expressive elements . These include words , images , allusions , metrics , subjects , metaphors , and themes . In this chapter , rather than discuss ...
Stran 156
... poetry in- volves none of these cognitive attitudes . - Poetry , Richards holds , contains the articulation of emotional attitudes . This is its great contribution . In all of his later writings Richards argues that poetry functions to ...
... poetry in- volves none of these cognitive attitudes . - Poetry , Richards holds , contains the articulation of emotional attitudes . This is its great contribution . In all of his later writings Richards argues that poetry functions to ...
Stran 157
... poetry , " then it must be possible to have full literary or poetic apprecia- tion without sharing the beliefs of the poet ... I deny , in short , that the reader must share the beliefs of the poet in order to enjoy the poetry fully ...
... poetry , " then it must be possible to have full literary or poetic apprecia- tion without sharing the beliefs of the poet ... I deny , in short , that the reader must share the beliefs of the poet in order to enjoy the poetry fully ...
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole