Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 38
Stran 67
... symbol , in the way that the word " red " is a trans- parent symbol of the color red . - Red has been interpreted in many different ways in history , as a symbol of passion , war , holiness , truth , virtue , adultery , com- munism ...
... symbol , in the way that the word " red " is a trans- parent symbol of the color red . - Red has been interpreted in many different ways in history , as a symbol of passion , war , holiness , truth , virtue , adultery , com- munism ...
Stran 89
... symbol " and the " soft - line symbol , " however , must not be exaggerated . To be sure , the one is transparently symbolic , and the other opaquely , but Motherwell can always argue that his " symbols " may someday become as ...
... symbol " and the " soft - line symbol , " however , must not be exaggerated . To be sure , the one is transparently symbolic , and the other opaquely , but Motherwell can always argue that his " symbols " may someday become as ...
Stran 90
... symbol " in the way that the dove is in Christian art . ( 4 ) The Spanish - Indian color , as a " symbol " of the splendor of life , is a transparent symbol . Now , before returning to the general problem of the nature of " symbolic art ...
... symbol " in the way that the dove is in Christian art . ( 4 ) The Spanish - Indian color , as a " symbol " of the splendor of life , is a transparent symbol . Now , before returning to the general problem of the nature of " symbolic art ...
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Pogosti izrazi in povedi
A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole