Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 26
Stran 39
... theme , " what it is about , " the subject , the “ Idea " ; and the how is the way in which the Idea or theme is expressed . Artist - critics like A. E. Housman and aestheticians like C. J. Ducasse sometimes talk this way.3 In this ...
... theme , " what it is about , " the subject , the “ Idea " ; and the how is the way in which the Idea or theme is expressed . Artist - critics like A. E. Housman and aestheticians like C. J. Ducasse sometimes talk this way.3 In this ...
Stran 106
... theme embroidered by metaphor , but the unfold- ing of metaphor . The whole of " Prufrock , " we may say , is the ... theme or Idea is in the poem , as a depth meaning ; but it would be wrong to say with Housman that the poem is this ...
... theme embroidered by metaphor , but the unfold- ing of metaphor . The whole of " Prufrock , " we may say , is the ... theme or Idea is in the poem , as a depth meaning ; but it would be wrong to say with Housman that the poem is this ...
Stran 164
... theme ; but refus- ing to allow the disbelief to make any difference to our apprecia- tion on the grounds that in art counterclaims ( those that we re- ject ) are as legitimate as accepted claims . This attitude , in sum , is akin to ...
... theme ; but refus- ing to allow the disbelief to make any difference to our apprecia- tion on the grounds that in art counterclaims ( those that we re- ject ) are as legitimate as accepted claims . This attitude , in sum , is akin to ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole