Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 47
Stran 27
... thing . In the language of thought , the words of which owe their import to convention , there is such a thing as two differently worded state- ments that mean exactly the same thing ; but in the language of feeling , which art is ...
... thing . In the language of thought , the words of which owe their import to convention , there is such a thing as two differently worded state- ments that mean exactly the same thing ; but in the language of feeling , which art is ...
Stran 113
... thing , act , feeling , or passion , and can therefore mean any one of a thousand things and experiences , limited only by the hearer's wealth of imagery . Within itself and by itself , then , music has the power to produce every ...
... thing , act , feeling , or passion , and can therefore mean any one of a thousand things and experiences , limited only by the hearer's wealth of imagery . Within itself and by itself , then , music has the power to produce every ...
Stran 191
... thing that is constantly occurring in literary criticism . Disagree- ments are constantly being resolved in this way , by pointing out that the objectionable ingredient is precisely the kind of thing that the objector values . In this ...
... thing that is constantly occurring in literary criticism . Disagree- ments are constantly being resolved in this way , by pointing out that the objectionable ingredient is precisely the kind of thing that the objector values . In this ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole