Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
Iz vsebine knjige
Zadetki 1–3 od 22
Stran 58
... transparent symbol of the warm , gay , or lively . - ( 4 ) In contrast to transparent there are opaque symbols . The color red may mean adultery , peace , anxiety , a frog , love , hate , communism in fact , anything at all ...
... transparent symbol of the warm , gay , or lively . - ( 4 ) In contrast to transparent there are opaque symbols . The color red may mean adultery , peace , anxiety , a frog , love , hate , communism in fact , anything at all ...
Stran 68
... transparent symbol of death and consequently , probably , a somber , serene color . Gray and black , expressively , are melancholy , rather depressing , colors . We construe them as transparent symbols of the depressing and the ...
... transparent symbol of death and consequently , probably , a somber , serene color . Gray and black , expressively , are melancholy , rather depressing , colors . We construe them as transparent symbols of the depressing and the ...
Stran 235
... transparent , 119 and truth , 152 and truth claims , 151–152 its vocabulary , 111-112 , 119 and Wagner , 112 Musical values and art , 22-23 Müther , 23 Naturalistic and color , 65-67 vs. organic , 65-67 Neo - Thomism , see Maritain ...
... transparent , 119 and truth , 152 and truth claims , 151–152 its vocabulary , 111-112 , 119 and Wagner , 112 Musical values and art , 22-23 Müther , 23 Naturalistic and color , 65-67 vs. organic , 65-67 Neo - Thomism , see Maritain ...
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole