Philosophy of the ArtsHarvard University Press, 1950 - 239 strani |
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Zadetki 1–3 od 31
Stran 141
... truth claim concerning the exploitation of minorities in America to signify what Wright regards as the tragedy of ... claims of literature are not always true . Like the truth claims of science , they may be false , too . Consequently ...
... truth claim concerning the exploitation of minorities in America to signify what Wright regards as the tragedy of ... claims of literature are not always true . Like the truth claims of science , they may be false , too . Consequently ...
Stran 144
... truth claims . It is futile to deny it and I think the reason distinguished readers of poetry like Richards have denied it is that they did not want the truth claims of poetry to enter into our evaluation of the poetry . But we must ...
... truth claims . It is futile to deny it and I think the reason distinguished readers of poetry like Richards have denied it is that they did not want the truth claims of poetry to enter into our evaluation of the poetry . But we must ...
Stran 145
... truth claims within the printed sentences ; this is the first category . It can also embody truth claims as depth meanings . The truth claim of " Prufrock , " namely , that there are two kinds of life and two kinds of death , is never ...
... truth claims within the printed sentences ; this is the first category . It can also embody truth claims as depth meanings . The truth claim of " Prufrock , " namely , that there are two kinds of life and two kinds of death , is never ...
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A. C. Bradley accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object artistic activity assertions attitude basic believe Bell and Fry Bertrand Russell Cézanne chap character Cleanth Brooks communication complex constituents contemplation contemporary criticism Cubism depth meanings Desdemona desire doctrine drama Ducasse Ducasse's Eliot embody truth claims Emilia emotions Erwin Panofsky evaluation example expressive qualities fact Fascism feelings formalism Freud function G. E. Moore Hanslick heteronomous human experience I. A. Richards Ibid iconic imaginative indulgence interpret italics in original John Hospers kind language line and color literature make-believe medium modern motion picture nature novel organic theory painting Parker Philosophy poem poetry problem Prufrock psychic distance psychological pure purism question referential rejected relation representation Richards satisfaction semantical sense sexual significant form soirée specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol truth claims values whole